from mine / to keep

A zine collaboration in conversation with
Solmaz Sharif’s poem “Vulnerability Study.”

Vulnerability Study

your face turning from mine
to keep from cumming

8 strawberries in a wet blue bowl

baba holding his pants
up at the checkpoint

a newlywed securing her updo
with grenade pins

a wall cleared of nails
for the ghosts to walk through

Born in Istanbul to Iranian parents, Solmaz Sharif is the author of Customs (Graywolf Press, 2022) and Look (Graywolf Press, 2016), a finalist for the National Book Award. She holds degrees from U.C. Berkeley, where she studied and taught with June Jordan’s Poetry for the People, and New York University. Her work has appeared in Harper’s, The Paris Review, Poetry, The Kenyon Review, the New York Times, and others. Her work has been recognized with a “Discovery”/Boston Review Poetry Prize, Rona Jaffe Foundation Writers’ Award, and Holmes National Poetry Prize from Princeton University. She has received fellowships from the National Endowment for the Arts, Lannan Foundation, and Stanford University. She is currently the Shirley Shenker Assistant Professor of English at U.C. Berkeley. Visit her website at solmazsharif.com.

Solmaz Sharif, “Vulnerability Study” from Look. Copyright © 2016 by Solmaz Sharif. Used with the permission of The Permissions Company, LLC on behalf of Graywolf Press, graywolfpress.org.

poem

Through this poem, we will ask…

How can resolute attention shape our ethics, our art?

How can specificity of language and image break the spells of oppressive structures?

In what ways is vulnerability essential to our collective survival?  

Thinking about…

intimate formats; the power of the distilled, of the succinct; curiosity in moments that splinter us; how we lay bare our [    ]; the private / the public / the private in public; language and all its (im)possibilities; inherited vulnerabilities; the personal is political; our humanity in the details; our humanity; the details



Featuring original zines by…

Alana Dao, Maggie Fiori, Nicole Manganelli, Raquel P Miller, Midori Morrow, Maya Skylark, and meg willing available through a six-month subscription service that runs July - December 2024. Subscribe here!


…and work from our open call by you.

From May 15 to July 31, 2024 we will be accepting work of any medium created in conversation with this theme. Work will be displayed at an autumn event at the 
Maine Women Writers Collection and will be considered for publication in our longer-form retrospective book. Email work to aclearing.maine at gmail.

artists

  • ALANA DAO [@alana.dao] is a mother, writer, and restaurant worker whose creative practice explores contemporary culture, food, and identity. Her work most often takes the form of artists' books, zines, and essays. She received a BA from Smith College and an MA from the School of the Art Institute of Chicago. She is Co-Director of A CLEARING. Born in Texas, she resides in Maine.

  • MAGGIE FIORI [@maggiefiori] is a small-scale printmaker and member of Pickwick Independent Press in Portland, Maine. She makes relief and letterpress prints, books, and zines rooted in her experience as a queer Quaker, illustrating her particular experience of God in a way that feels universal. Her work testifies to the embodied experience of some overwhelming, life-transforming mystery.

  • NICOLE MANGANELLI [@radicalemprints] is a letterpress printer, poet, and art worker based in the unceded Wabanaki territory known as Portland, Maine. The goal of her printmaking is to nourish organizers of all kinds with fierce, beautiful words that keep people invested in social movement work for the long haul. She also co-facilitates grassroots fundraising & grantwriting trainings for movement organizations with Resource Organizing Project. You can find more of her work at radicalemprints.com or @radicalemprints on Instagram.

  • Born and adopted from Cuenca, Ecuador, RAQUEL P MILLER [@raquelpmiller] is an artist living and working from Biddeford, Maine. Through painting, she is interested in unearthing the unexpressed and revealing what cannot be seen–exploring emotions, memory, grief and dreams. She was the recipient of a 2022 BIPOC Fellowship at Haystack Mountain School of Crafts. In 2023, she was an artist in residence at SPACE Gallery in Portland, ME, and the recipient of the David C. Driskell Fellowship and Residency at Black Seed Studio. She shows her work online and throughout New England.

  • MIDORI MORROW [@_midorimorrow_] is an interdisciplinary artist and activist working with photographic installation and printmaking. They received their Associates of Fine Arts in photography from the Delaware College of art and design in 2019, went on to get their Bachelors of Fine Arts in photography from the University of the Arts in Philadelphia in 2021, and a Masters of Fine Arts from the Maine College of Art and Design in 2024. Morrow explores themes of identity and belonging within the Asian American diaspora. Their artistic practice works in tandem with their work as a nuclear peace activist. They have worked with multiple activist groups such as Peace Action and Physicians for Social Responsibility through giving artist talks and showing their art to discuss how the nuclear peace movement can live on within younger generations. In November of 2023 Midori attended as a delegate at the Second Meeting of States Parties at the United Nations Headquarters in New York. In August of 2023 they were the United States Delegate at The World Conference Against Atomic and Hydrogen bombs, where they participated in workshops in Hiroshima and Nagasaki, Japan talking about the movement for nuclear disarmament. They also gave an artist talk at the world conference using their art as an entry point for the conversation of nuclear peace.

  • MAYA SKYLARK [@mayaskylark] (any pronouns) writes softly about hard things. Their work combines the rich imagery and metaphors of both textiles and the natural world to explore transformation, death, grief, and renewal. She has self-published her poetry and essays since 2017 and you can read past newsletters on her substack archive: mayaskylark.substack.com.

  • MEG WILLING [@megwilling] is a poet, editor, interdisciplinary artist, and book designer. Growing up in Quito, Ecuador; Bangkok, Thailand; Bogotá, Colombia; and various parts of Maine and Massachusetts, she now calls the foothills of Maine home. Her creative work examines the sweet splinterings of memory, belonging, and desire through poetry, collage, cut-up, erasure, and altered books. She currently serves as Art and Design Editor for the literary arts journal Gigantic Sequins; Assistant Manager at Devaney, Doak and Garrett Booksellers; Shop Assistant at Independent Auto Volvo Service; and, with Alana Dao, is the Co-Founder / Co-Director of A CLEARING.

readings

No one creates in a vacuum. This space is dedicated to sharing pieces that are shaping our practices and deepening our understanding of each cycle’s theme. It will be updated bi-monthly with new readings during this active cycle of practice.

The Role of the Poet: An Interview with Solmaz Sharif by Zinzi Clemmons

Thinking about language as a means to know, language as a means to obscure; “the truth beneath the terms”; personal as political, poetry as political, what isn’t political?; war, wartime, historically gendered lines of war; undercurrents of violence; surveillance states; to resist calcification; exilic states of being; generational rifts; moments, movements, the momentum to keep moving; the body, the frame, looking; learning from living poets, from each other; learning to teach; conceptual practices; all-caps as power, as imprint; creative influences; “what our nearnesses are”

Interactive :: House Saints” by Hala Alyan

Thinking about form / format; what the eyes do on the page; prayer; what’s passed down; ancestral portals; bodies of land, bodies of water, bodies of being; the multiplicities of meaning; time, and return; transformation / transmutation; “The dead are not dead.”; the spirit; the door; the movement of all things, the blue in all things; what home sounds like in the mouth

“Lines Composed While Watching My Mother Buy Tomatoes” by Bee Morris

Thinking about the private / the public / the private in public; mortality, the mortality of everything; a closeness in kinship; to savor the simple; the mystery, blue mystery, the mystery of aliveness; how time becomes visible around us, in us; preparing, (preparing what?), preparing together